Archive for the ‘Angel DeCora’ Category

Changes in Lone Star Dietz’s Artwork Style

March 23, 2023

On Tuesday evening I attended a presentation by the Dickinson College Archives’ Carlisle Indian School Resource Center about their digital scanning project. The handout for this program included cover images of two Carlisle Indian School publications: The Indian Craftsman and The Red Man. They caught my eye because Lone Star Dietz and his bride—he and Angel DeCora had been married a little over a year when the first edition appeared—created and produced the school’s literary magazine. Dietz contributed the artwork and almost all of the cover images. The title of the magazine was changed starting with the second year because of confusion with Stickley’s popular journal The Craftsman.

The differences between the first cover art and that Dietz made for later works was striking. It was similar to a drawing he made for the December 1904 edition Chilocco Indian School’s The Indian School Journal. Although that school claimed him as a student and arranged his transportation to Chilocco, there is no evidence that he actually arrived there. The piece used on the February 1909 magazine might have originally been intended for a Chilocco publication.

The first piece of Dietz’s art to appear in a Carlisle document was on page 3 of the June 19,1908 edition of the school’s newspaper The Arrow. This design was published about the time the school acknowledged Dietz’s elopement with the head of the Native Art Department. The shift in style was likely due to DeCora’s influence. Dietz would never return to the previous style.

The other cover image used of the handout came from a later edition of The Red Man magazine—cover art was often used multiples times across several years. Dietz’s style would evolve but never back to how it was for Chilocco publications.

Lies About Carlisle Indian School

July 13, 2021

I generally don’t bother to refute misinformation promulgated about Carlisle Indian School but, with reports on what happened at First Nations schools in Canada operated by the Catholic Church often being conflated with American schools, I now find it necessary to comment on a Facebook post (included below) that was forwarded to me for comment. Mr. Edwards appears to have visited Carlisle Barracks but is unfamiliar with its history. Some errors are so off they require no research on my part.

His sentence that includes the phrase “til ’51 or 2” is worded awkwardly but appears to mean that Mr. Edwards’ relatives played on the grounds at Carlisle Barracks in the early 1950s. If they had done that, they likely had some affiliation with the Army because Carlisle Indian School closed permanently in 1918.

Edwards’ comment about seeing fingerprints in the mortar on the Indian Field grandstand are incorrect unless the Army brought Indian masons back to Carlisle to build the new, concrete grandstand years later. Students learning the building trades likely built the original wooden grandstand around 1906, but they were long gone by the time the masonry grandstand was erected. However, they did build a masonry building: the Native Arts building which still stands. The school newspaper lauded the students for the quality of their work on the building in which the famous Winnebago artist, Angel DeCora, taught. It is diagonally across the street from the house in which Pop Warner lived. That house was also built by students. The funding for both these structures came from the Athletic Department.

A quick look at newspapers from August 1927, when the graves were moved, gives the total at 187. Perhaps Mr. Edwards was confused by hearing that over 1,000 students were enrolled in the school at its peak and mistook that for being the number of graves. Superintendent Pratt has been criticized for sending sick children home to die. He likely did that to keep diseases from spreading to other students and there was little he could do for many of them. The state-of-the-art of medicine had not advanced very far at the time the school was in operation. Lifespans were short. People, white and Indian alike, died at early ages. Tuberculous was rampant and took many lives. Pratt sent bodies of dead children home to those parents who wanted their remains whenever he could because a large graveyard filled with dead students wouldn’t have been good advertising for his school.

The graves were not moved to make room for a road. Officer housing was built on that site.

I had heard that the moving of the graves had been done in a haphazard manner but the newspaper articles suggest otherwise. Sixteen men were assigned to do the job. While errors were likely made, it appears that remains were paired with the headstones as both were relocated from the old cemetery to the new one. Some records were surely lost when the Indian School was closed with little advance notice. So, it would not be surprising to learn that some graves were mismarked. Something that argues for the overall data to be accurate is that the headstones were created shortly after the students died and would have been mostly correct, although some details could have been wrong. This was a government project after all so some screw ups were inevitable.

Neil Edwards

From where I’m standing a few yards to my right, a few yards to my left and back to that building almost where the stop sign is behind them vehicles is the old graveyard at Carlisle. There’s children under there…. but you won’t hear about that you’ll only hear about the graveyard out front. If I remember correctly, without looking it up, there was about 1,200 students back there and during the early 30s they ripped the graves out deep enough to make the road and piled them at random out front in 190 holes 192 I think or whatever……strange things happen here that’ll make yer neck hairs stand up…… this isn’t far from the “good ice” …their winter ice rink. In back and to my left is the field where Jim Thorpe, my family George Thomas todadaho, my great uncle, til ’51 or 2 I believe and his sister Edith Thomas, my GG, used to play. You can see the students fingerprints in the mortar between the Rocks when they built the grandstand there’s even fingerprints where they ended each pass in the morter.

If you don’t start learning about boarding schools here at Carlisle it’s like starting a book in the middle of it. You don’t know anything until you start here.

Leupp Indian Art Studio

May 13, 2021

I learned something new today while researching something different. The May 11, 1907 edition of The Washington Bee, a paper I’d never heard of before, included an article titled “Aid Art by Football: Carlisle Indian Players Build a Museum.” The piece was accompanied by a drawing of the Leupp Indian Art Studio. I already knew that the building was built with proceeds from the football program, but I didn’t know any of the details. Football cash bought the stone, lumber, glass and other materials needed to construct the building. Students from various shops on campus provided the labor. Boys created the millwork in their shop. Carpentry students did much of the construction. Other shops plumbed the building, installed the heating system, and roofed it. Art students painted and decorated the building. George Balenti, Cheyenne of Mike and John, designed the building by using the best ideas submitted by students—George had already graduated—and drew up the plans. The Balentis were a brainy bunch and even held two patents.

Originally intended to be a photo shop, it’s use was shifted to house the Native Art Studio when Winnebago artist Angel DeCora was hired. A section of the building was set aside for the photo shop. Although called a museum—at least by the reporter—displays were generally student projects, some of which were for sale.

The building still stands diagonally across the road from Pop Warner’s house, which was also constructed with football money, near what was the main gate at the time. The roof has been changed but the exterior is the same.

I learned something new today while researching something different. The May 11, 1907 edition of The Washington Bee, a paper I’d never heard of before, included an article titled “Aid Art by Football: Carlisle Indian Players Build a Museum.” The piece was accompanied by a drawing of the Leupp Indian Art Studio. I already knew that the building was built with proceeds from the football program, but I didn’t know any of the details. Football cash bought the stone, lumber, glass and other materials needed to construct the building. Students from various shops on campus provided the labor. Boys created the millwork in their shop. Carpentry students did much of the construction. Other shops plumbed the building, installed the heating system, and roofed it. Art students painted and decorated the building. George Balenti, Cheyenne of Mike and John, designed the building by using the best ideas submitted by students—George had already graduated—and drew up the plans. The Balentis were a brainy bunch and even held two patents.

Originally intended to be a photo shop, it’s use was shifted to house the Native Art Studio when Winnebago artist Angel DeCora was hired. A section of the building was set aside for the photo shop. Although called a museum—at least by the reporter—displays were generally student projects, some of which were for sale.

The building still stands diagonally across the road from Pop Warner’s house, which was also constructed with football money, near what was the main gate at the time. The roof has been changed but the exterior is the same.

The Little Buffalo Robe

February 2, 2012

The last few days have been spent cleaning up the scanned PDF of The Little Buffalo Robe, a task that proved to be much more time consuming and tedious than expected.  I am reprinting this book and Yellow Star because they were illustrated by Lone Star Dietz and his wife, Angel DeCora, while they were on the faculty of Carlisle Indian School.  Because these books have been out of print for the better part of a century, it is likely that few people have ever heard of them and, thus, have not seen the artwork contained in them. Yellow Star contains four full-page black and white reproductions of what were likely color paintings done jointly by the couple and signed by both of them.  In 1911, when this book was first printed, Dietz preferred to be called William Lone Star and signed the artwork in this book with that moniker. The Little Buffalo Robe includes four full-page black and white illustrations as does Yellow Star, but only the frontispiece was done jointly; the other three were Angel DeCora’s work alone. In addition, the book contains numerous, and I mean a lot, of smaller pen-and-ink drawings of things related to the story line.  Most of them were done by Dietz, a few by Angel, and others were not signed.  One of the joys of reading this book is admiring the frequent illustrations.

I found The Little Buffalo Robe to be very interesting because it says much about the culture of Plains Indians at the time.  The protagonist, a young Omaha girl, tells the tale of her odyssey after becoming separated from her tribe and parents.  Her adventures as she encounters Assiniboine, Dakota, Pawnee and Winnebago adults are told from a Omaha child’s perspective and reveal much about the customs, culture and beliefs of her people. The author, Ruth Everett Beck, was a white woman who grew up Lyons, Nebraska along the Missouri River in the time and place where this book was set.  She likely learned the Omaha customs as a girl as she was reputed to be an authority on some aspects of Indian life.

President Visits Places with Names Important to Carlisle

August 17, 2011

Yesterday, a little news snippet caught my ear: President Obama visited Decorah, Iowa where he stayed at the Hotel Winneshiek. While there is nothing about that that is earth shaking or will be of great historic significance, it was of interest to me. It wasn’t what the president was doing that got my attention; it was the names of the places he was that resonated with me.

Decorah (often spelled De Cora or Decora) is not just a geographical name but is also the name of an important Nebraska Winnebago family, many of whom were hereditary chiefs. The granddaughter of one of these chiefs, Little De Cora, was Angel DeCora who, after being educated at Smith College, rose to prominence in the late 19th century as the leading female Indian artist of her day and was well known in the leading eastern art circles. In 1906, she accepted the position as director of the Native Art Department at Carlisle Indian School. In late 1907, she married William Henry Lone Star Dietz who, at 25 was her student, but was still 13 years her junior. The two generated much positive press nationally for Carlisle.

Winneshiek is the name of an important Wisconsin Winnebago, or Ho Chunk, family which has provided the tribe with many chiefs. The son of one of them was William Winneshiek who was noted more for his musical ability than his athletic prowess at Carlisle and went on to a career in music, even having his own all-Indian band. He did, however, find time to play football in the early NFL for the Oorang Indians. His biography can be found in Wisconsin’s Carlisle Indian School Immortals.

His brush with history finished, Obama left Hotel Winneshiek in Decorah for breakfast in Guttenberg.

Hampton University Forges New Field — Again

April 11, 2011

When most people think of Hampton University, they consider it to be a historically black educational institution, which it is, of course. However, It is more than that. In 1878, Lt. Richard Henry Pratt convinced 17 of the younger of his former prisoners at Fort Marion, Florida to enroll in an educational program he established at what was then called Hampton Normal and Agricultural Institute. Pratt soon disagreed with Hampton’s policy of cloistering students from the community at large and proceeded to found Carlisle Indian Industrial School. Hampton did not stop educating Indians; it continued enrolling them for decades. Their records are a source of information for people researching Carlisle students as sometimes some family members attended Hampton while others attended Carlisle. Very few appear to have attended both schools. One person, and probably more, Angel deCora, the famous Winnebago artist, was first educated at Hampton and later taught at Carlisle.

Hampton University recently became the home of something else of interest to people living in the Mid-Atlantic Region. The Hampton University Proton Therapy Institute, the eighth such installation in the U. S. and the largest in the world, completed treatment of it first group of patients in November. These men were treated for Prostate Cancer but Proton Therapy is not limited to that application as it is also used to treat a variety of other types of cancer. Their web site states that Hampton Roads leads the country in Prostate Cancer deaths. That fact might be one of the reasons the $220M facility was located where it is. That the Department of Defense ponied up $7.9M toward its costs may be because so many military personnel are stationed in the Hampton Roads area or retire there. Large numbers of Viet Nam veterans are afflicted with Prostate and other cancers due to exposure to Agent Orange. Apparently, Agent Orange affected more than just the people who handled it in their daily work or those who trudged through the terrain that had been sprayed with the defoliant.

Proton Therapy appears to be the Prostate Cancer treatment modality with the fewest side effects of the available treatment options. Next time back to football, I think.

What happened to Dietz’s Russian Wolfhound?

September 9, 2008

 

Orloff Kennel logo from Lone Star Dietz's letterheard, 1915

Orloff Kennel logo from Lone Star Dietz

Over the weekend I was contacted by Lizzie with www.ArtHistorie.com concerning Lone Star Dietz’s champion Borzoi (then called Russian Wolfhound). Those of you who have read my biography of Dietz know that he and his first wife, Angel DeCora, raised and showed prize-winning Russian Wolfhounds and won several categories at Westminster Kennel Club’s 1915 dog show. Their Khotni even won best of breed. It appears that ArtHistorie.com is a gallery that sells fine art and history. Apparently Lizzie is handling the estate of Joseph B. Thomas’s son and the estate includes a number of items from Thomas’s father. So? The elder Thomas operated Valley Farms Kennels, a leading breeder of Russian Wolfhounds. A 1907 article in The Rider and Driver and Outdoor Sport told of him traveling 15,000 miles to a remote part of Russia just to acquire a brace of Russian Wolfhounds. He was very serious about these dogs.

Angel and Lone Star bought Khotni from Thomas around 1910 when they started Orloff Kennels behind their apartment at Carlisle Indian School on Carlisle Barracks. One can only imagine the complaints when their pack howled late at night. Lizzie wanted some information about Dietz and Thomas:

Can you tell me what kind of relationship Lone Star had with the Borzoi Breeder Joseph B. Thomas? Did Lone Star end up selling his beloved Khotni back to Thomas?

We believe we have the Westminster trophy won by Khotni (directly acquired from Joseph’s son’s estate) and would like to know as much about it’s history as we can!

Unfortunately, I couldn’t answer her questions as I know nothing of the relationship between Dietz and Thomas and don’t know what happened to Khotni. The last information I have on him is that, after Lone Star took the head coaching position at Washington State, Angel had Khotni with her and was trying to sell him for $1,000. Perhaps a reader knows more.

 

Best Team-Russian Wolfhounds-Presented by Mrs. Joseph B. Thomas

Best Team-Russian Wolfhounds-Presented by Mrs. Joseph B. Thomas

Thunderbird

June 20, 2008

A December 1914 newspaper article bemoaned the fact that 12 million soldiers involved in the Great War in Europe adorned their uniforms or marched behind flags with birds depicted in spread-eagle positions. Angel DeCora was interviewed for the article because she had studied the thunderbird at great length. By delving into Indian legends, she learned that the thunderbird or equivalent has been a mark of distinction and authority for many thousands years. She learned the Winnebago version of the thunderbird story and believed it to be as old as the legend of the last mammoth.

According to legend the spirits that dominated land, water and air were in a balanced state for ages with each spirit roughly equal to the others. Clans associated themselves with patron spirits for purposes of recognition and occupation. The thunderbird, apparently an air spirit, was observed in deadly combat with a water spirit by an exhausted warrior of the thunderbird clan as he lay next to a precipice looking down on the still waters below. When the spirits tired they each asked the warrior for help. The warrior, the only human ever to see the spirits, assisted the thunderbird and the water spirit sank, never to be seen again.

To Indians, the thunderbird represents authority, dignity, arbitration and, most important of all, peace. Many believed the emblem of a bird with wide-spread wings was misappropriated by Europeans from ancient America perverting a symbol of arbitration and peace to war and devastation.

Carlisle Indian School and the Society of American Indians both adopted the thunderbird as their emblem. The thunderbird designed by Angel DeCora for the school’s use is at the bottom of this message. The September 4, 1914 issue of The Carlisle Arrow announced that the Alumni Department would adorn various items with the thunderbird. The April 30 blog includes the Alumni Department’s masthead featuring a thunderbird that I mistakenly thought looked more like a bat.

I have a soft spot for Thunderbirds having owned them for over 40 years. I bought a rust-bucket ’56 in 1965, nursed it along for a decade and bought a solid ’57 in 1976 and have kept it all this time. I finally broke down and had it painted. So, it will be out on the road in all its glory soon.

Thunderbird by Angel DeCora