Archive for January, 2018

The Love Hermit?

January 14, 2018
Lone Star - Oregonian

Photo of Lone Star Dietz that accompanied original 1918 article

The author of the article I referred to in the previous message, Jim Kerschner, forwarded a link to the entire article. The article, when read in full, provided me with more information than my question about his Vaudeville career. Perhaps a little background is needed for those unfamiliar with the multi-talented Mr. Dietz. Prior to arriving in the Pacific Northwest in September 1915, he had worked as an artist illustrating Macalaster College publications, creating a mural out of grains grown at Chilocco Indian School for the Model Government Indian School Exhibit at the St. Louis World’s Fair, played of football teams at Macalaster College, Friends University and Carlisle Indian School, competed on the indigenous people’s team in the Anthropology Days event tacked onto the 1904 Olympic Games held at the St. Louis World’s Fair. He sang solos at Friends University and performed a war dance at the School of Industrial Art of the Philadelphia Museum (today’s University of the Arts), after which he gave a talk in what the Philadelphia Record described as “excellent English style, which might put an ordinary Philadelphian to the blush.”

 

In addition to serving as an assistant coach to Pop Warner and teaching art at Carlisle, he illustrated their literary magazine and ephemera. He and his first wife, the noted Winnebago artist Angel DeCora, also raised prize-winning Russian Wolfhounds in a kennel behind their apartment on Carlisle Barracks.

At Washington State College, in addition to coaching the football team, Dietz arranged songs and sang baritone while touring the state with the college’s chorus. He also gave talks to classes on topics such as architecture. Prior to arriving in Pasadena for the 1916 Rose Bowl, he arranged for his team to portray the football team in Tom Brown at Harvard and for a small role in the picture for himself. When his team returned to Pullman after the victory, he stayed on in Hollywood to arrange more picture work for himself.

The article Mr. Kerschner referred to in his piece listed three films Dietz had been in, one of which I hadn’t heard of before, The Love Hermit. It also credited him with writing the story for Lonestar, but couldn’t appear in the movie because it was filmed during football season.

The article also provides some information about Dietz’s Vaudeville career: “The rapid progress that is being made by your company here in Spokane toward the production of motion pictures has made me willing to change from my previously announced plan to spend the coming year on the vaudeville circuit.” More research is required to uncover exactly which talents he would have employed in his act.

Now to figure out how to search News.Google.com for articles not on-line when I spent numerous hours hunched over microfilm reading machines.

https://news.google.com/newspapers?nid=0klj8wIChNAC&dat=19180110&printsec=frontpage&hl=en page 6

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Was Lone Star Dietz in Vaudeville?

January 10, 2018

I was very interested when Google Alert informed me of an article in The Spokesman-Review of Spokane, Washington this afternoon. It acknowledges the 100th anniversary of Lone Star Dietz pursuing an acting career in that city: http://www.spokesman.com/stories/2018/jan/10/100-years-ago-today-in-spokane-washington-states-f/ It is well known and covered in my biography of Dietz that he bought shares in the Washington Motion Picture Company, acted in Fool’s Gold and went broke when the studio folded. The film actually made a little money but not nearly enough to cover the operating costs of the fledgling production company.

What was news to me was the subhead “Gives Up Vaudeville.” I had no idea Dietz was in Vaudeville. I was aware of him acting in pictures in Hollywood and Spokane, but not of him being on the Vaudeville circuit. Unfortunately, the portion of the article that may have covered that issue wasn’t reproduced in today’s paper. Maybe Jim Kershner, the reporter who wrote today’s piece can send me a copy of the entire original.

Vaudeville was not always used in the way we think of it today. Sometimes it was used as a catch all for people performing in front of live audiences, including the lecture circuit. For example, Pop Warner referred to Frank Cayou as being in Vaudeville when he was giving talks on something akin to the Chautauqua Circuit.

19180110 Dietz Vaudeville Movies