
Photo of Lone Star Dietz that accompanied original 1918 article
The author of the article I referred to in the previous message, Jim Kerschner, forwarded a link to the entire article. The article, when read in full, provided me with more information than my question about his Vaudeville career. Perhaps a little background is needed for those unfamiliar with the multi-talented Mr. Dietz. Prior to arriving in the Pacific Northwest in September 1915, he had worked as an artist illustrating Macalaster College publications, creating a mural out of grains grown at Chilocco Indian School for the Model Government Indian School Exhibit at the St. Louis World’s Fair, played of football teams at Macalaster College, Friends University and Carlisle Indian School, competed on the indigenous people’s team in the Anthropology Days event tacked onto the 1904 Olympic Games held at the St. Louis World’s Fair. He sang solos at Friends University and performed a war dance at the School of Industrial Art of the Philadelphia Museum (today’s University of the Arts), after which he gave a talk in what the Philadelphia Record described as “excellent English style, which might put an ordinary Philadelphian to the blush.”
In addition to serving as an assistant coach to Pop Warner and teaching art at Carlisle, he illustrated their literary magazine and ephemera. He and his first wife, the noted Winnebago artist Angel DeCora, also raised prize-winning Russian Wolfhounds in a kennel behind their apartment on Carlisle Barracks.
At Washington State College, in addition to coaching the football team, Dietz arranged songs and sang baritone while touring the state with the college’s chorus. He also gave talks to classes on topics such as architecture. Prior to arriving in Pasadena for the 1916 Rose Bowl, he arranged for his team to portray the football team in Tom Brown at Harvard and for a small role in the picture for himself. When his team returned to Pullman after the victory, he stayed on in Hollywood to arrange more picture work for himself.
The article Mr. Kerschner referred to in his piece listed three films Dietz had been in, one of which I hadn’t heard of before, The Love Hermit. It also credited him with writing the story for Lonestar, but couldn’t appear in the movie because it was filmed during football season.
The article also provides some information about Dietz’s Vaudeville career: “The rapid progress that is being made by your company here in Spokane toward the production of motion pictures has made me willing to change from my previously announced plan to spend the coming year on the vaudeville circuit.” More research is required to uncover exactly which talents he would have employed in his act.
Now to figure out how to search News.Google.com for articles not on-line when I spent numerous hours hunched over microfilm reading machines.
https://news.google.com/newspapers?nid=0klj8wIChNAC&dat=19180110&printsec=frontpage&hl=en page 6







The first reference I investigated was of a 1901 Seminole love pentagon gone terribly wrong. Seventeen-year-old Mocking-Bird, daughter of the chief, was the belle of the tribe and had attracted four ardent suitors, including Eagle feather. The longer she took making her choice, the more hopeful—and jealous—each became. Smiling impartially at each of them, she remained steadfastly indifferent. Her suitors’ jealousy and ardor festered day by day as the day of the sun dance approached, thinking she would pick a husband during the festival.
Receiving questions like this isn’t unusual for me since writing Doctors, Lawyers, Indian Chiefs: Jim Thorpe & Pop Warner’s Carlisle Indian School football immortals tackle socialites, bootleggers, students, moguls, prejudice, the government, ghouls, tooth decay and rum because I have probably researched Carlisle Indian School football players’ lives more than anyone has. This is normal and not discouraged because I also ask other authors questions about topics they have researched. Chris is researching the Oorang Indians NFL team that played in the 1922 and 1923 seasons for a future book, one that I’m looking forward to reading.









